At Filmibeat, we love interacting with singers, artists and filmmakers who are passionate about their craft. As Kaun Hai Woh and Kitni Gardi received a solid response from the audience, the woman behind the songs from Baby Die Do Die is basking in the glory. I am talking about Christina Andrew.
Christina Andrew explored two different musical worlds with her latest songs, “Kaun Hai Woh” and “Kitni Gardi Hai.” While the former showcases her softer, soulful and romantic side, the latter brings out a raw, energetic Mumbaiya rap flavour.
In an exclusive conversation with Filmibeat Assistant Editor Abhishek Ranjit over a phone call, Christina opened up about the response to both songs and shared the creative challenges behind Kitni Gardi Hai.
She also spoke about working with Mohit Chauhan, discovering different sides of her voice, and her dreams as a playback singer.
Here are excerpts from the interview
1. Congratulations on the response to “Kaun Hai Woh” and “Kitni Gardi Hai”. What has been the most special part of seeing audiences connect with these two very different songs?
Thank you! Honestly, the most special part has been seeing people connect with both songs for completely different reasons. Some have written to me saying they loved the softness and emotion of Kaun Hai Woh, while others have been talking about the attitude and energy of Kitni Gardi Hai. As a singer, that’s incredibly rewarding because it means people have accepted two very different sides of my voice. I feel really grateful that both songs have found their own audience.
2. Both songs showcase completely different sides of your voice, one is a soulful romantic ballad, while the other is an energetic Mumbaiya rap. How did you approach preparing for these contrasting styles?
The preparation for both songs was completely different. For Kaun Hai Woh, it was all about keeping the voice soft, gentle and emotional. I wanted it to feel effortless, almost like someone slowly falling in love.
With Kitni Gardi Hai, I had to switch gears entirely. It wasn’t just about singing a rap, it was about getting into the mindset of the character. We spent a lot of time finding the right tone and attitude. That process really pushed me as a singer, and I enjoyed every bit of it.
3. What drew you to “Kaun Hai Woh” emotionally, and how did you work on capturing the tenderness and dream-like quality of the song?
What I loved most about Kaun Hai Woh is how intimate it feels. It’s that moment where someone finally lets their guard down and allows themselves to feel love. I tried not to overthink the singing. Instead, I focused on the emotion behind every line and imagined what the character was feeling. I wanted the voice to sound warm, vulnerable and almost weightless, so that dream-like feeling came through naturally.
4. “Kitni Gardi Hai” has a raw street flavour and a very distinct Mumbai energy. What were some of the challenges you faced while recording this track?
The biggest challenge was making it sound real. The song has a very raw, conversational feel, and I didn’t want it to sound like I was performing. It had to feel like the character was talking to herself while walking through the streets of Mumbai. Getting that balance between attitude, emotion and a relaxed delivery took quite a few attempts, but that’s also what made the process so exciting.
5. You mentioned that “Kitni Gardi Hai” required multiple recordings and revisions to get the right tonality. Can you share more about that creative process?
We kept experimenting until everything felt right. After every recording, we’d listen back, discuss what was working and what could be better. Sometimes it was just a small change in the way I said a line or the emotion behind a word, but those little details made a huge difference. Arjun was very particular about the emotional space of the character, and that really helped me understand exactly what the song needed. Looking back, I’m so glad we took that extra time because I genuinely love how it turned out.
6. You collaborated with Mohit Chauhan on “Kaun Hai Woh”. What was your experience of sharing a song with him, and what did you learn from the process?
It honestly felt surreal. I’ve grown up listening to Mohit sir, so sharing a song with him was something I never imagined would happen. He’s incredibly humble and such a warm person. Just being around him and watching how naturally he approaches music was inspiring. It reminded me that sometimes the most beautiful performances come from singing honestly rather than trying too hard.
7. Receiving a personal message from Huma Qureshi appreciating your voice must have been a memorable moment. What went through your mind when you read her message?
I was genuinely surprised! It’s always special when someone whose work you admire takes the time to appreciate yours. It was a very encouraging moment for me, especially because this is just the beginning of my playback journey. Messages like that give you a little extra confidence and remind you that you’re moving in the right direction.
8. What kinds of songs or genres would you love to explore in the future? As you continue your playback journey, what are some dreams or milestones you hope to achieve as a singer?
I’d honestly love to keep exploring everything. I enjoy singing across genres, whether it’s romantic songs, indie music, rap, folk-inspired tracks or something completely experimental. Every style teaches me something new.
As for dreams, I simply hope I get to keep doing meaningful work with composers and filmmakers whose music I admire. I’d love to sing more for films and OTT projects, keep growing as a vocalist, and hopefully build a long career where people recognise me as a versatile playback singer. I feel like this is only the beginning, and I’m really excited to see where the journey takes me.
